Mr. Enrique
Iglesias appeared on TRL to promote his video and
single, HERO.
Enrique
performed the song, live on TRL
(09/25/01).
At
the time of Enrique's appearance on TRL on
09/25/01, TRL only showed segments of the video
with Love, Enrique and actor, Mickey Rourke.
By
the way, fathead was the host. MTV also ran
one of Love's Neutrogena's commercial. Too
bad he doesn't have control over that.
The
single is out today. The single is from
Enrique's new CD, "ESCAPE", due out on
November 6th.
Check
out Enrique's official website by clicking the
banner below:
Click
for the video courtesy of Enrique's Official
Website and Interscope Records. You'll need
Real Player to view the video.
Image: Interscope Records, a
Universal Music Company and MTV Networks, a
Viacom International Company. All Rights
Reserved.
From
The Toronto Star - September 23, 2001
A
TRIUMPH OF VINTAGE
by
Rita Zekas - STAR GAZING
LOVE
IS ALL AROUND US: Jennifer Love Hewitt has become
a fave among local autograph hounds, whose photos
she signs readily. On Friday, while shopping with
her brother in Yorkville, Love Hewitt even asked
for copies of some of the photos to send to her
grandmother.
Copyright
2001 Toronto Star Newspapers Limited. All rights
reserved.
From
The Sunday Times of the United Kingdom -
September 23, 2001
BAD
BABES RISING
They've
made it big by being wicked. Garth Pearce
discovers how a crop of highly paid, very
successful young actresses is bringing girl power
to Hollywood.
Winchester,
a British film company, is currently seeing the
advantage of their investment in Heartbreakers,
with the 22-year-old Jennifer Love Hewitt playing
the con-artist daughter of Sigourney Weaver. The
film looks set to deliver a full return on its
investment of £15m, and has already grossed £3m
in four weeks in Britain.
The
dark-haired, brown-eyed Hewitt, who grew up on
the hit television series Party of Five, also
brought to Heartbreakers that ingredient vital to
the success of all Hollywood twentysomething
stars: a bad-girl moment. Her particular turn was
kneeling in dress and high heels in front of a
protesting Ray Liotta and giving him oral sex. It
was one of the movie's most memorable scenes.
"Britain has some brilliant young talent and
that is not in dispute," says the American
director David Mirkin. "But the
Hollywood-based girls seem to have a certain
sassiness that translates worldwide."
Copyright
2001 Times Newspapers Ltd. All Rights Reserved.
From
the Toronto Star - September 22, 2001
BEAUTIFUL
PEOPLE CAN GET THEIR KICKS AT CLUB 606
Jennifer
Love Hewitt a recent sighting in quaint dining
area
by
Vinay Menon - CLUB CRAWL
The
pouty, crimson lips. The smouldering, come-hither
eyes. The plunging, body-boasting ensembles.
Make
no mistake, bar/club 606 (named for its address
on King St. W.) remains a smoky mecca for the
city's most beautiful, alluring people. They
perch on stools, congregating in exclusive
clusters, laughing and chit-chatting along the
lengthy bar.
There
are high-fashion waifs seductively puffing on
cigarettes. There are film and television execs,
swilling martinis and waxing pretentiously. There
are actors and aspiring actors, models and vamps,
designers and musicians.
"We
get all sorts of people in here," says
manager Steve Biasutti. "We don't advertise,
so word of mouth has carried us for years."
Last
Saturday, Jennifer Love Hewitt had dinner in the
quaint dining area.And actor
Cameron Mathison said recently that when he's
back in Toronto he makes a point of returning to
his old haunt.
Even
the staff are gorgeous.
That's
because, as Biasutti explains, most of them are
also actors and models. The night shifts allow
them to audition and shoot during the day.
On
any given Friday or Saturday, as local DJs pump
pounding mainstream dance and retro disco into
the cozy rear area, as many as 700 will converge
and cram into the bar.
Once
inside, they sip cocktails, smoke, and slither
provocatively to the syncopated beat.
Like
most clubs, the door is carefully controlled, to
ensure "the right mix" of people get
inside. (Given the über-babe factor, there's a
$10 cover for wide-eyed males on the weekend.)
During
the week, however, the atmosphere is less
frenetic, far more relaxed.
In
the dining room, one may observe regulars and
locals feeding on grilled sea bass or breast of
duck. Others, sitting at oversized, stainless
steel tables across from the bar nibble on spring
rolls, calamari, chicken quesadillas, and sashimi
beef.
Given
the fashion and entertainment businesses in the
area, 606 also does brisk lunch service, with
cross-cultural offerings like pad thai, gnocchi
with sautéed sweet onions, and moules et frites.
And
while there may be cooler, trendier bars in the
city, 606 has managed to retain an enviable and
intangible "hip factor" over the past
eight years.
Today,
its patrons are truly heterogeneous, ranging in
age from 20 to 60, and living throughout the GTA.
"The
key to 606 is that it's like three places in
one," says Biasutti, referring to the
dining, drinking, and dancing areas. "So
people can get exactly what they want."
Since
superchef Susur Lee opened his eponymous
restaurant across the street, 606 now gets a new
influx of well-heeled diners who arrive for a
pre-meal drink. Biasutti says Susur's patrons
don't have to wait in line to get into 606.
"We
give them special treatment, just to be
neighbourly."
Copyright
2001 Toronto Star Newspapers Limited. All rights
reserved.
From
Reuters and MyLoveHewitt.com - September 17, 2001
SAMUEL
ARKOFF, LOW-BUDGET
HOLLYWOOD PRODUCER DIES
By
Dean Goodman
LOS
ANGELES (Reuters) - Samuel Z. Arkoff, a maverick
Hollywood producer who churned out more than 500
low-budget -- and often hugely profitable -- cult
movies, died of natural causes on Sunday, his son
Louis said. He was 83.
Arkoff,
who said movies were no good unless they
titillated audiences, tapped into the youth
culture long before the major studios took notice
of the lucrative demographic.
Among
his best-known releases were the Michael Caine
thriller ``Dressed To Kill,'' ``The Amityville
Horror,'' ``I Was a Teen-Age Werewolf'' and the
``Beach Blanket'' series starring teen idol
Frankie Avalon and ``Mickey Mouse Club'' belle
Annette Funicello.
The
stout, cigar-smoking producer, an Iowa farm boy
who graduated from law school in Los Angeles, was
a businessman first. The word ``art'' never
crossed his lips, trade paper Daily Variety said.
``Thou
shalt not put too much money into one picture,''
ran one of Arkoff's many mottoes. ``And with the
money you do spend, put it on the screen. Don't
waste it on the egos of actors or nonsense that
might appeal to highbrow critics.''
QUICK
SUCCESS
With
partner, the late Jim Nicholson, Arkoff
co-founded American International Pictures in
1954 and hit pay dirt that year by distributing
``The Fast and the Furious,'' a gritty action
film directed by future B-movie king Roger
Corman. That $60,000 film
grossed $250,000.
Corman's
career would continue and in 1993, producer
Corman cast a mother and daughter in a movie
titled LITTLE MISS MILLIONS aka: HOME FOR
CHRISTMAS.
Their
names: JENNIFER LOVE and PATRICIA HEWITT.
A
year earlier, Jennifer Love Hewitt was one of the
stars of a Roger Corman production,
"MUNCHIE" also starring Andrew Stevens
who would become a motion picture producing
partner in a company called FRANCHISE PICTURES.
Continuing....``I
Was a Teen-Age Werewolf,'' made in 1957 and
starring Michael Landon, cost $100,000 and was
shot in six days. It grossed $2 million.
``The
Amityville Horror,'' a haunted-house thriller
starring James Brolin and Margot Kidder, grossed
$65 million domestically in 1979, making it the
biggest independent film until ``Teen-Age Mutant
Ninja Turtles'' 10 years later.
In 1979, AIP
also picked up the North American distribution
rights to ``Mad Max'' after the major studios
passed on the Mel Gibson breakthrough picture.
Horror
was a mainstay of AIP films, but the company was
quick to capitalize on other genres, such as
gangster films (''Machine Gun Kelly,''
``Dillinger''), blaxploitation (''Blacula,''
''Black Caesar'') and drug culture sagas (''Wild
Angels,'' ``Wild in the Streets'').
``I
think my dad was one of the first mavericks,''
Louis Arkoff told Reuters. ``A movie was never a
good movie unless it contained two thrills a
reel. He always said people go to the movies to
be entertained and to be titillated.''
KEY
SPRINGBOARDS
Perhaps
more important than most of the films themselves,
AIP provided early springboards for the likes of
directors Martin Scorsese, Francis Ford Coppola,
Woody Allen, Ivan Reitman and Brian De Palma and
actors Robert De Niro, Jack Nicholson, Bruce
Dern, Peter Fonda and Melanie Griffith.
AIP
was also a marketing dynamo. To help promote the
1956 film ``Black Cat,'' one of many AIP films
based on works by Edgar Allan Poe, the producers
lined some 500 black cats up along a Hollywood
street for a cat contest, the winner of which
would make it into the film. Life magazine
captured the image for a cover.
Arkoff
approached the business with a sense of humor and
never countenanced Hollywood bureaucracy, his son
said. He often blasted the studios for allowing
production costs to skyrocket and was mostly
ignored -- to their eventual regret. But the
studios did take notice of the audiences who
flocked to his pictures, and they gradually
usurped his turf.
Arkoff and
Nicholson sold AIP in 1979, and Arkoff attempted
several comebacks via a new company. Largely
retired for the last 20 years, he published his
memoirs, ``Flying Through Hollywood by the Seat
of My Pants,'' in 1992. Last September, he
attended the premiere of ``It Conquered
Hollywood: The Story of American International
Pictures,'' a documentary narrated by filmmaker
Peter Bogdanovich.
He
served as executive producer of ``Creature
Features,'' a series of five new feature-length
films inspired by five of his monster films from
the 1950s. The first episode will premiere on the
Cinemax cable channel on Oct. 4, said Louis
Arkoff, who served as a producer.
In
addition to his son, Arkoff is survived by a
daughter, Donna Arkoff, who is married to
producer/director Joe Roth who's Revelution
Pictures produced (with Roth directing)
"AMERICA'S SWEETHEARTS". Arkoff died at
Providence St. Joseph Medical Center in Burbank,
California. Funeral services are set for
Thursday.
Her
body is by Mattel; her face is why God created
film projection: Laura Elena Herring (pictured),
one of the stars of David Lynch's Mulholland
Drive. Almost everyone agrees this actress is the
hottest of the hotties here at the fest. Very
warm too, I must add. Like a hot towel right out
of the dryer. She has both Mexican and German
bloodlines, she told me over lunch the other day.
Yesterday,
when I ran into her at the Four Seasons Hotel,
she mentioned that she and Jennifer Love Hewitt
exchanged phone numbers when they met for the
very first time at the Premiere magazine party at
Prego on Sunday night. They're trying to find a
date to go salsa dancing together in Toronto this
week. I bet they could sell tickets to that
girl's night out.
And while we're on
the subject of Ms. Hewitt, when I saw her at that
same Prego party. She told me she's working on a
CD for the same record company that is
responsible for Britney Spears. She's in major
songwriting mode right now in Toronto. Gets all
sing-songy in her trailer, says the junior J-Lo.
SWEETIE,
YOUR WORK IS FABULOUS
MY HOLLYWOOD LINGO EXPERIMENT
by
Rebecca Eckler
At
film festival parties, everyone is double-F
"fabulous." Everyone is a
"sweetie" and everyone "just loves
your work."
At
the Chum Citytv Festival Schmooze on Friday
night, I decided to take schmoozing to its
fullest. I decided to speak only Hollywood for
one hour. Meaning, from 1 a.m. to 2 a.m., I only
spoke three sentences, with variations on the
themes of "You look fabulous," "I
just love your work," and "Hey,
sweetie."
I
practised on my boyfriend before I left.
"You
look fabulous," I began.
"Don't
you mean 'double-F fabulous'?" he asked.
"Do you want some more wine?"
"Thanks,
sweetie. That's fabulous," I said, watching
him pour. "You know, I just love your work.
It's fabulous. Don't I look fabulous?"
When
he asked what time I would be home, I shrugged my
shoulders and said, "Sweetie."
He
asked if I would have my cellphone. I smiled and
responded, "Fabulous."
He
said, "Have fun," and I winked and
said, "Love your stuff," as I walked
out the door.
If
I, a nobody, am called "sweetie" and
told I look fabulous during film festival
parties, just how many times does a celebrity get
told those sorts of things?
I
stopped Jennifer Love Hewitt, teen idol and every
man's brunette fantasy, as she arrived. I asked
her how many times a day people told her, "I
love your stuff."
"Sometimes
a lot," she laughed. "It depends what
I'm working on."
"And
'sweetie,' how many times a day?"
"I
don't know," she said. "A lot. Maybe 40
times a day."
"And
'You look fabulous'?"
"Thank
you," she said, smiling sweetly.
"That's so sweet."
"No,"
I responded. "I mean, you do look fabulous,
but how many times a day are you told that?"
"Oh,
rarely," she said, being led through the
crowd, with people whispering behind her back how
sexy she looked. "You look fabulous!" I
yelled to her back.
Singer/songwriter
Chantal Kreviazuk was there with her husband,
musician Raine Maida. "I love when people
say, 'I love your work,' " she said. "I
haven't been out in public in a while, and you
forget your connection to the fans. So when
people say that, it keeps me going."
I
told her what I would soon be attempting to do,
meaning only say those three sentences, and she
said, jokingly, "You know, you could
probably raise your baby to say only those three
sentences and send her off to parties."
Wouldn't
that be fabulous?
Queer
as Folk star Gale Harold said he doesn't get
people telling him they love his work. Two
minutes later, a young woman ran up to me,
saying, "Oh my God. That's the guy from
Queer as Folk. I'm so in love with him. He makes
my Monday nights."
Harold
is sweet, however, on the word
"sweetie." "I love the word
'sweetie.' I wish people would call me that all
the time. It's a great word."
Ralph
Fiennes says he's called sweetie at least once a
day, told "I love your work" at least
once a week, but he's never told he looks
fabulous. Strange, of course, since I had to push
through two young blond women who were each
holding on to one of his hands with one of theirs
while handing him their business cards with their
other hands.
I
began my Hollywood-lingo- only experiment at the
bar, asking for some white wine.
"Fabulous," I said, as the bartender
grabbed a bottle.
"Would
you like the wine in a bigger glass?" he
asked.
"Sweet,"
I said.
I
saw an acquaintance standing in a group of
people. "You look fabulous, as always,"
I started.
"Are
you going to the Hugo Boss party?" he asked.
"Should
be fabulous," I nodded.
Film
festival parties are all about schmoozing. Which
means you don't actually have conversations
longer than 15 minutes. So it's easy enough to
smile, nod and throw in the occasional
"Fabulous," "Isn't he sweet?"
and "Love their stuff," without anyone
thinking twice about what you're saying.
It's
like people asking, "How are you?" when
you know they don't truly care. Even when a
friend said, "You look really tired,"
and I responded with, "Yes. I am. But in a
fabulous way," she didn't notice it didn't
really make sense.
"See
you later, sweetie," I heard on my way out.
"Tomorrow night, OK?"
"Fabulous,"
was the only appropriate response I could think
of.
The
show must go on, but at BCBG Max Azria, the seams
are beginning to wear thin.
Though
the fashion house will be putting on an
extravagant fashion show under the tents in
Bryant Park today at New York's Fashion Week,
BCBG's finances have been better.
"It
was a little bit tight," owner and designer
Max Azria admitted to The Post.
Amid
rumors that company executives had been shopping
for additional credit, the company has turned to
a non-traditional source of funding to help it
through a cash crunch brought on by aggressive
expansion.
Vince
Camuto, founder and former CEO of Nine West, has
agreed to loan BCBG $10 million. And as part of
the agreement, Camuto and BCBG Max Azria have
entered into a strategic alliance calling for
Camuto to produce shoes under the BCBG name.
Camuto
has also been granted a one-year option to buy 10
percent of BCBG Max Azria, which is estimated to
do $320 million in sales annually.
"The
deal was done in 30 minutes," Azria said.
"We had a drink - he was talking to me about
shoes - and we agreed there, at the table. There
was no problem between friends."
The
recent financial crisis is a result of rapid and
significant expansion for the company. BCBG Max
Azria opened a 5,600-square-foot flagship store
on Rodeo Drive in Beverly Hills in July, the
first of 12 openings in the U.S. and eight
internationally that are scheduled for the next
three months.
The
company will open its first store in SoHo on
Wednesday and will re-open its five-level,
5,900-square-foot flagship on Madison Avenue
later this month.
Camuto
coming on board is "not about the
price," he said, stressing that Camuto also
brings "advice and experience."
But
Azria's not interested in other partners.
"There
is a line of people who want to be a part of this
company today," he said.
"I'm
not interested. You never say never but, today,
we're not looking for anything else."
The
fraying at BCBG may have started this year when
the company discontinued its three-year-old men's
wear division. Now, the company plans to
restructure the division and relaunch it later.
BCBG,
which stands for "bon chic, bon genre"
- "good style, good attitude" in French
- burst onto the women's contemporary market in
1989. Based in Vernon, Calif., it courts the
young celebrity set, most notably Debra Messing,
Ashley Judd, Halle Berry, Heather Graham and
"MUST
... STAY ... AWAKE NON-STOP FILM FEST
PARTIES CAN BE MORE TIRING THAN JET TRAVEL"
by
Shinan Govani
THEY
JUST HAPPENED TO BE HERE
You've
heard about the schoolbus full of stars rolling
into town to promote their films, but ought you
not also be aware of some of the celebs who don't
have anything in the festival, but who might be
hangin' around anyways?
Jackie
Chan, for instance, who happens to be kicking
around the city, kicking being what he does so
gorgeously. He's working on a film called The
Tuxedo with Jennifer Love Hewitt, who already did
some festival-ing when she showed up at the
opening night party on the Lakeshore. Her hair
swayed lyrically and her leather outfit crackled
Rice Krispee-like. And, yes, she did look very
well-upholstered.
TORONTO
(Zap2it.com) -- Jennifer Love Hewitt showed up
wearing a purple hat with a feather at the City
TV bash outside the funky local TV station.
These
are a few of the stars in town who have nothing
to do with the Toronto Film Festival, but they're
enjoing the parties and hoopla as Hollywood
invades this Canadian city, where a lot of
filming goes on during the year.
"I
never get invited to anything, I didn't know the
festival was going on," says Hewitt with a
major "duh." She's in town shooting
"Tuxedo" co-starring Jackie Chan.
VISION
IN BLACK CRUELLY DERAILED
ONE SMOKIN' TRAIN OF THOUGHT
By LEAH
McLAREN
"Did
you see which way Jennifer Love Hewitt
went?" asked one of my colleagues.
We
were standing sipping gin and tonics on the
balcony overlooking the magnificent ballroom at
the Liberty Grand two hours into the opening
night postgala bash.
"That
way," I lied, pointing down the stairs
leading out of the cordoned-off VIP area.
"She
was wearing a backless black sweater and her
boobs looked a bit saggy." (The latter part
was true.)
He
beetled off in search of some dippy quote and I
resumed my game of pretending to be a publicist
from New York (I'm too pale for anyone to believe
I live in L.A.).
One
thing the Party Princess has noticed about the
film festival nightlife is that the journalists
are, hands down, the most unattractive people in
any given room, excluding, of course, the on-air
television personalities.
But
the problem with TV hosts is that they can be
irritating -- the way they always expect you to
know exactly who they are, no matter how piddly
and obscure their half-hour weekly digital
entertainment television show is.
Plus
it's a well-known fact that film people think all
TV people are lame, which is why I was pretending
to be a publicist. Irritatingly, people kept
blowing my cover.
"So,
hon, what films are you planning to see during
the festival?" This was my friend D.,
another (cringe) journalist.
He
works for a gay magazine and deejays on the side,
so I figured it was okay to talk to him. Plus I
was getting lonely.
"Oh,
D. Everyone knows that party reporters don't see
any movies. It's practically a rule."
"Don't
be silly," he said. "Films are what the
festival is supposed to be about.
"You
know, an appreciation of the art of the
cinema."
Cinema,
huh? Well if D. was such an all-knowing culture
vulture, what screening should the PP see
tomorrow?
"You
have to see Absolument
Fabuleux, the French version
of Absolutely Fabulous,"
he said.
"Everyone
is talking about it."
"Fine
then," I said and stomped off in search of
some edifying cultural conversation.
Outside
in the Roman-style courtyard, the first people I
bumped into were Maya Mavjee, the publisher, and
her boyfriend, Henry Jackman, the philosophy
professor.
"Have
you seen any intelligent people around
here?" I asked them. "Maybe a
filmmaker?"
Maya
introduced me to Peter Lynch, whose latest film, Cyberman,
is about a genius computer geek at the U of T who
created the world's first wearable computer. It
screens at the Varsity tomorrow.
I'm
pretty sure I won Lynch over immediately by
indicating that I knew who he was (Canadian
documentary filmmakers love that).
I
even gushed for a few minutes about how much I
adored his last documentary, Project
Grizzly (about a guy from
Northern Ontario on a quest to wrestle with a
grizzly) -- and I wasn't fibbing just to make
conversation.
"Why,"
I asked Lynch, "do you think you are
attracted to these alienated, Don
Quixote-types?"
"I
like to go past the surface of my subjects,"
he said, "into their interior worlds with
all the messy bits and weird
contradictions."
"Mmm,
yes," I said, formulating a brilliant
response -- then Jennifer Love Hewitt walked by
and I lost my train of thought.
LOS ANGELES, CA -- The
Academy of Digital Music Arts & Sciences, a
leading Internet music trade group, has nominated
FMiTV's KIISFMi.com for two Wammy Awards. The
LA-based iSuperstation received nominations for
Best Webcaster and Best Webcast Event for its May
13th webcast of the Wango Tango Concert from
Dodger Stadium. The nine-hour concert featured
performances by *NSYNC, by Sugar Ray, Lenny
Kravitz, Enrique Iglesias, Brian McKnight, The
Goo Goo Dolls, Marc Anthony, and Sisqo, among
others. KIISFMi's ``iSclusive'' backstage
interviews, celeb spotlights and chats featured
band members along with today's hottest stars,
such as Tom Cruise, Shannon Elizabeth (``American
Pie''), Meredith Monroe (``Dawson's Creek''),
Kirsten Dunst (``The Virgin Suicides''), Beverly
Mitchell (``7th Heaven''), Frankie Muniz
(``Malcolm in the Middle''), Seann W. Scott
(``Road Trip''), Ethan Embrey (``Can't Hardly
Wait''), Justin Kirk (``Jack and Jill'') and
Jennifer Love Hewitt
("Can't Hardly Wait'').
As
the highlight event of the Gavin ``Music on the
Net'' Conference, the Academy will hold The First
Annual Wammy Awards ceremony in San Francisco on
Thursday, September 21.
More than 200 eligible
Academy members, esteemed professionals in the
Internet, radio and music communities, will cast
votes to determine the Wammy Award winners. The
Wammy Awards are presented in recognition of
excellence and achievement in music on the
Internet. Specifically designed in response to
the ongoing explosion of artistic, visual and
technical creativity, the Wammy Awards honor
those individuals and organizations whose
creativity and innovation have quickly made music
the biggest mainstream category on the Internet.
``KIISFMi.com is proud to be
included among such respected and capable
individuals and media entities honored with Wammy
nominations,'' says Laurence W. Norjean, Chairman
& CEO of FMiTV Networks, Inc., parent company
of KIISFMi. ``For the third time this year, we
have had our FM & iTV convergence model
validated by our peers in the industry, and we
are grateful. We look forward to continuing to
meet the needs of our audience and to producing
the best in multimedia entertainment content for
our Gen Y audience.''
This latest accolade comes
on the heels of two others: leading radio trade
publication Radio Ink named KIISFMi ``Number One
on the Web'' among its selection of the 50 Best
Radio Station Web sites in the World in June. The
iSuperstation also took top honors as the Most
Technically Advanced of the 50 sites. KIISFMi
also received a Webby Award nomination this past
April.
``Some broadcasters have
used the Internet as a useful brand extension --
KIISFMi has tackled the new medium head-on,''
said David Dalton, CEO of Gavin, organizer of the
Wammy Awards. ``Not only does it build on the
identity of a great radio station, KIISFMi has
quickly established a three-dimensional image of
its own. The spectacular Wango Tango live webcast
has also been recognized among the nominations as
a vibrant example of how to showcases music and
connect with an audience on the Internet.''
A joint venture with Clear
Channel Communications, Inc., KIISFMi is the
flagship iSuperstation of FMiTV Networks, Inc.
Through an eclectic mix of radio, video, print
and interactive media, FMiTV truly delivers the
reality of convergence as a new entertainment
paradigm for the Internet. KIISFMi, targeting a
Gen Y demographic, offers the latest in hot new
music, celebrities, film, fashion and original
programming, while seeking to constantly push the
limits of Internet technology. Its audience is
steadily growing.
